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Yearly Archives: 2014

Midnight Cowboys

MC_raw (Kopie)

Either you love Dustin Hoffman or you hate him. In any case there are films and especially characters, which allow an actor to show what he is capable of. In Midnight Cowboys an other famous actor, Jon Voight, actually the main character (Joe Buck), is outshone easily by the performance of Hoffman, playing Ratso, a crippled hobolike hustler of Italian descent, handicapped further by having somewhat of a strange speech disability (and incredibly bad teeth).

The story is not quite straight forward. Joe Buck, a brutally naive country boy from Texas, makes his was into the Big Apple. The plan is simple. Making an easy living by becoming a gigolo for mature rich women. It turns out, that despite his impressive appearance he is a rather insecure fellow, suffering from several childhood traumata, displayed to the viewer in flashback scenes. After getting conned two times, one time by Ratso, Joe runs out of money and finds himself in strange situations, including offering himself to cottagers. This happens also due to the fact, that Joe is not willing to except another job as a dishwasher. After running into Ratso once more, a strange relationship between the two men develops, resulting in them becoming best friends. The storyline takes an interesting turn when both of the men are attending a (Warhol) factory-like party.

Besides the Hoffman performance the flick shines through a classy camera work, putting some of the, not necessarily key scenes, into great effect. I remember the “hunting for women” sequence after Joes arrival in NYC quite vividly. The action taking place at the photographic laboratory ain’t bad either.

Year: 1969

Imdb Rating: 8,0/10 (September 2014)

Superflicks Rating: solid 9,1/10

memorable quotes:

– “The two basic items necessary to sustain life are sunshine and coconut milk.” (Ratso)

– “The only one thing i’ve ever been good for is lovin’ !” (Joe Buck)

Spektrum Wiese #114 – 300% Badness

Ernest Ranglin – Soul De Ern [Federal / Dub Store]
Don Drummond et. al. – Rock Away [Studio 1]
Don Drummond et. al. – Burning Torch [Studio 1]
Lee Perry – Soul Fire [VP Records]
Lindval Thompson – Channel One in Dub [Trojan]
Herman Chin-Loy – Heavy Duty [Aquarius Recording Co. Ltd.]
King Tubby – Banana and Yam Skank [Greensleeves]
Linval Thompson & The Revolutionaries – Lonely Dub [Hot Milk]
The Revolutionaries – Back a Wall Dub [Bruning Sounds]
Tappa Zukie – Pick Up The Dub [Blood & Fire]
Horace Andy – Evilest Thing Version [Pressure Sound]

Spektrum Wiese #113 – Latino Pete

Os Caculas – Meus Pes Descalcos vao Pisando As Ruas Do Mundo [RCA]
Communidade S8 – O Genesis [Self Release]
Poucas E Boas – No Nepal E Tudo Barato [Polydor]
Miguel De Deus – Lua Cheia [Candonga]
Souleance – Vem Jogar [First Word]
Lula Cortes & Ze Ramalho – Nao Existe Molhado Igual Ao Pranto (Illum Sphere Remix)[Mr. Bongo]
Tim Maia – E Nessecário [Mr. Bongo]
The Quantic Soul Orchestra – Regi Bugalù [Tru Thoughts]
Jeanette – Porque Te Vas [Polydor]
Henry Gudeon – Brujeria (Soul Sonero) [Superfly]

Krush Groove

Kg-600

Most of the cast starring in Krush Groove is known to the hiphop aficionado. We got Kurtis Blow, Run DMC and the Fatboys, all of them playing themselves. There is Rick Rubin, playing a character named Rick. On the female side we got Shelia E. as herself, acting as the female counterpart. None of this people mentioned above is a good actor, but after all they are good performers, which gives some sugar to the movie.

Pretty much the own person who doesn’t play himself is Blair Underwood, the protagonist of the story. He plays a made up character named Russell Walker, running a record label with his friend Rick. Form there on it’s all drama. Russell & Rick are broke, have no money to produce the new Run DMC album. Russell falls for the same women than Run. Or was it DMC? The situation gets even more tense, when the obviously shady maior labels step up the game and offer Run-DMC a contract worth 20000$, which Run can not decline in his present situation. Is this gonna end well? And what do the Fatboys have to do with all this. Watch the movie and find out.

Although this is a classic Hiphop Semi-Documentary and certainly a monument in time, it never received the cult status of Wildstyle or Style Wars. This is partly due to the fact that these two movies where documenting an underground culture, where in ’85 the oldschool was over and Hiphop had massive success already. On the other hand Krush Groove is basically Def Jam celebrating themselves, which gives the whole thing a strange aftertaste. However, the performances of so many great artists makes this even.

 

Year: 1985

Imdb Rating: 6,5/10 (August 2014)

Superflicks Rating: solid 8,1/10

memorable quote: none

Spektrum Wiese #112 – Unstraight Ahead

The Afrobeat Makers – Triffids [Comets]
** Minifeature **
Karl Hector & The Malcouns – Bring It Down [Now Again]
Karl Hector & The Malcouns – Medium Rare Part 1 [Now Again]
Karl Hector & The Malcouns – The Spirit Of Gine [Now Again]
** Minifeature End **
The Apostels – Onye Akpa [Voodoo Funk]
Joni Haastrup – Greetings – [Hot Casa]
Pierre Antoine – Ye Man Noun [Hot Casa]
Amadou Balake – Bar Konon Mousso Bar [Kindred Spirits]
Oneness Of Juju – Africa Rhythm [Black Fire]
Zaka Percussion – Sahel [Le Chant Du Monde]

 Chillin' with my chromeboys.

 

Kode9 + Spaceape – Memories Of The Future

kode9

Aus aktuellem Anlass eine Besprechung zu diesem epochalen Werk. Epochal ist, bezogen auf eine LP, ein sehr mächtiges Wort und gerade deshalb muss an dieser Stelle die Wortwahl näher begründet werden.

Wenn man den Liner Notes glauben schenken darf, wurde Memories Of The Future bereits 2002 produziert. Zum großen Teil zeichnet das Album extrem düstere Szenarien in denen Spaceapes aka Daddy Gees Stimme Dystopiefantasien weckt. Wie dem auch sein, Kode 9 entschied sich dafür das Album noch bis zum Jahr 2006 in der Schublade zu halten. Wahrscheinlich, weil er realisiert hatte, dass die Menschheit noch nicht reif war. Oder, weil er kein Label fand. Als dann 2006 Dubstep im Londoner Untergrund durchstartete und Kode 9 mit Hyperdub ein eigenes Label am Start hatte, würde das Album auf den Markt geworfen; allerdings „nur“ im CD Digipack. Eine ganze Menge an Tracks wurde auch noch als 10“ veröffentlicht. Leider hatte das immer noch fast keinen interessiert. Die Tracks waren zu abstrakt / speziell. Erreichten nie den Kultstatus wie die zur gleichen Zeit erschienenen DMZ oder Tempa Veröffentlichungen.

2014 kam jetzt zum Record Store Day die Vinyl Veröffentlichung des Albums, was noch einmal die Möglichkeit bietet das Album in der Retrospektive zu betrachten. Dubstep ist inzwischen tot und man fragt sich was aus dieser musikalischen Epoche bleibt. Definitiv dieses Album, den für Kode 9 war 2002 morgen schon gestern.

Der Octofish wird beim Wasserball so heftig gefoult, dass 7 von 8 Tentakeln medizinisch versorgt werden müssen.

 

Spektrum Wiese #111 – Smell Of Schnaps

The Psycheground – Tube [Cinedelic]
Ethel Azama – Mountain High, Valley Low [So Far Out]
Fraction – Come Out Of Her [Mexican Summer]
Heitkotter – Fly Over The Moon [Now Again]
The Sunbirds – Sunbirds [BASF]
Jimi Hendrix – Astro-Man [Polydor]
*** Minifeatrure ***
Sandro Brugnolini – Amofen [Cinedelic]
Sandro Brugnolini – Impressianico [Sonor MUsic Editions]
*** Ende ***
Caravan – Virgin On The Ridiculus [Brain]
Iceberg Slim – Durealla [ALA]

Spektrum Wiese #110 – 2014 pre-warped

Gone Beyond – Movement Out [Transfer Station]
Ext – Dusk [Street Corner Music]
Godblesscomputers – Yuan [White Forest]
MatthewDavid – Artforms [Brainfeeder]
Glen Porter – The Open Road [Postmanslove]
Dubius – La Di Da Di [Chiefrocker]
Mr. Gib – Papanasi (version longue) [Nowadays]
Yakuzi Pato – Mustavyö-Joonas [Taimi]
Eric Lau – Chop For Mr. Thing [First Word]
Just Friends – Don’t Tell Me [Other People]

Spektrum Wiese #109 – Adventures With The Hi-Fi

Harry J All Stars – Liquidator [Harry J]
Marcia Griffiths – It’s Too Late Baby [Harry J]
Slim Smith – You Got What It Takes [Jackpot]
*** Mungo’s Hifi ***
Mungo’s Hi-Fi – Babylon [Scotch Bonnet]
Mungo’s Hi-Fi ft. Marina P. – Slavery [Scotch Bonnet]
Mungo’s Hi-Fi ft. Charlie P. – Nice It Up [Scotch Bonnet]
Mungo’s Hi-Fi ft. Pupajim – Bike Rider [Scotch Bonnet]
*** END ***
Prince Far I – Sharp Knife Version [Joe Gibbs]
Herman Chin-Loy – Deuce Cap [Ackee]
Jackie Mittoo – Tribute To Count Ossie [Jackpot]